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Keep watering the rocks by Di Laycock

For goodness sake put that graphic novel down and get yourself a real book to read.

Overheard in the school library, this comment was a short, but far from simple, remark made to a student by a colleague. Given the work I’d done with this teacher as to how graphic novels might be used in the classroom, I was disheartened to hear that graphic novels still struggled to make her literary cut. And whilst another colleague once told me not to waste time ‘watering the rocks,’ a part of me wasn’t going to give up so easily – I enrolled in a professional doctorate and grabbed my watering can.

The above scenario took place nearly six years ago, around the same time that Carter (2007) suggested graphic novels ‘still remain largely on the fringes of the [teaching] profession’ (p. 1). To reposition graphic novels more centrally, added Carter, more success stories of their use in schools were needed.

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Anthropology goes Comics by Hannah Wadle

While film and photography have fallen on fertile ground from the early days of Anthropology and moulded the sub-discipline of Visual Anthropology, comics has not yet become an equally respected and applied ethnographic methodological tool and format of presenting anthropological knowledge. There are a few individual artists-anthropologists, who contribute to a discussion on comics and anthropology, but thousands of anthropologists returning from fieldwork, with their numerous little diaries, filled not only with written notes, but also with sketches and drawings, leave their graphic work behind and begin with their “real work”, the writing, as soon as they are back in their home universities.

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