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Comics Forum 2019: Call for Contributions

Download a PDF of this Call for Contributions here.

Leeds Central Library (UK), 7-8 November 2019

Comics Forum 2019 will explore new approaches to comics scholarship, both in terms of examining comics from art and design perspectives, and experimenting with new ways to design the conference format itself, through a range of different events running in two parallel streams.

Stream A will comprise conference papers of 25 minutes.

Stream B will comprise a selection of alternative formats.

We are now seeking contributors for both streams, as detailed below.

‘Available spaces’ indicates the number of speakers/session leads we are seeking, not overall number of attendees. Joint submissions are welcome (e.g. two speakers can give one paper). You may submit for multiple formats, but please submit a separate proposal for each. Comics Forum welcomes speakers from a diverse range of backgrounds, ranging from students to senior academics, practitioners and beyond. No particular academic disciplines are preferred.

Proposals of up to 250 words in length are now being accepted at the following link: https://bit.ly/2wYNqYM. The deadline for submissions is the 16th of August 2019 and you will be notified of acceptance by or before the 30th of August 2019. Please include a short (100 word) biography with your proposal.

STREAM A: Art and Design in Comics

Conference Paper (25 mins)
Available Spaces: 21
While literary approaches and methodologies have tended to dominate the study of comics and related forms, in recent years art and design perspectives have been of growing interest to scholars, with research on narrative drawing, visual metaphor, book design, graphic design and materiality becoming increasingly prominent. Comics Forum 2019 will develop and extend these themes, through panels that consider visual, material and multisensory art and design as they relate to comics.
Subjects for discussion may include, but are not limited to:

  • Artistic canons of comics as distinct from literary canons
  • Art historical approaches to comics (e.g. periodisation, style,)
  • Typography and graphic design in comics
  • Artistic and/or technical production and practices (e.g. drawing, lettering, colouring,)
  • Labour in the creative industries
  • Non-linguistic aspects of comics
  • Comics and book design
  • Comics and moving image
  • Comics and curation
  • Comics as/against art
  • Interaction
  • Visual abstraction
  • Comics and participatory design/social design/community arts
  • The relationships between comics and other art forms

STREAM B: Redesigning the Comics Conference

Mini presentations – Teaching and Learning/Knowledge Exchange
Available Spaces: 10
For this session we are seeking 5 presentations on teaching and learning with comics, and 5 presentations on knowledge exchange practices (interpreted broadly) involving comics. Presentations in this session will be in the 20×20 format: this requires you to have 20 slides that run for 20 seconds each. Talks should ideally focus on case studies that can be used to develop good practice in these areas more generally.

Research Methods Demonstration
Available Spaces: 6
We are seeking up to 6 speakers for this session, which will apply different research methods to the same comic. Each speaker should propose one research method or approach they would like to take and give a brief (10-15 minute) overview of how it works or what it is concerned with. The comic to be analysed will be negotiated by the speakers once they have been confirmed, in advance of the event.

Live Practice Demonstration
Available Spaces: Negotiable
This 90-minute session aims to give an insight into one or a range of image making practices to explore how production can be foregrounded and explored in comics scholarship, and how we might develop better understandings of technical processes in the field. We are therefore open to submissions from one or more creative practitioners who are able to demonstrate and narrate a creation and production workflow/process to an audience. This could mean a digital workflow, or an analogue pencilling, inking, colouring and lettering sequence, or something completely different! If you are submitting to this session, please indicate which practices you would be prepared to demonstrate, any equipment you would require (beyond a standard data projector/screen) and the approach you would take. This session could accommodate multiple practitioners, so you may submit a programme for the full 90 minutes or a shorter demonstration that could be grouped with other practitioners.

Debate
Available Spaces: 4
We are seeking 4 speakers to debate the motion “Comics are middle class”. This will be a chaired formal debate with 2 speakers for the motion, and 2 against. Please indicate in your proposal whether you wish to speak for or against the motion or would be prepared to debate either side.
The debate will proceed as follows (timings indicated below will be observed strictly):

  • 10 mins: First speaker for the motion (to put the case for)
  • 10 mins: First speaker against the motion (to put the case against)
  • 10 mins: Second speaker for the motion (to respond to arguments against)
  • 10 mins Second speaker against the motion (to respond to arguments for)
  • 5 mins: Final summary for
  • 5 mins: Final summary against
  • 5 mins: Audience vote on the motion

Reading Group (Leads)
Available Spaces: 3
We are seeking 3 speakers to lead 3 x 30-minute reading group discussions of individual texts (to be circulated and read prior to the event). Although led by named speakers, these sessions are intended to be interactive and discursive, so the role is more one of a host or chair – this is not a conference paper. Speakers should propose the text they wish to discuss, along with a short rationale for that choice. Please note that priority will be given to texts that represent current and diverse approaches to comics scholarship.

Archives and (Special) Collections Showcase
Available Spaces: 6
We invite collectors, librarians and archivists to present their collections in a 90 minute “collector fair” format event, which will give attendees the opportunity to circulate around six tables of material and speak about that material to the collection holders or custodians. In your proposal, please indicate the range and type of material you would like to showcase, and how it might enhance our understanding of the field and/or offer opportunities for research and teaching.

Practice Based Research Demonstration
Available Spaces: 3
We are seeking up to three practice-based or practice-led researchers to give an overview of their methods and approaches in undertaking research, in talks of 20-30 minutes. Speakers should foreground the ways in which their practice informs understandings of comics and comics scholarship, and how it might be taken up more broadly in the field. Speakers may, but are not required to, present a demonstration of practice if appropriate. In your proposal, please indicate whether you would require any special equipment or materials for your talk.

 
 

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CFP: Translation, Localisation, Imitation, and Adaptation: Comparative Aspects in Comics Studies

The 14th Annual Conference of the Society for Comics Studies (ComFor) is dedicated to the idea of comparative comics studies: relations and transformations within the art form that cross and bridge cultural, lingual, economic, juridical, political, and media divisions. These include referential and derivative formats such as citation, parody, pastiche, travesty, imitation, and emulation of genres, characters, and motifs, in which one comic recalls another comic, or any other medium. In all of these cases, a relation is established that connects one or more comics to others. But the scope of comparative comics studies also includes translations, transfers, adaptations, and many other kinds of metamorphosis. These take place not merely from one language to another, but also take into account changes in audience orientation, in technical and economic conditions, in legal and conventional rules, and any other co-determining circumstance that leaves its traces: on the new comic’s text, sometimes on its pictures as well, and always on the mechanisms of production, marketing, media practices, and interpretations to which comics are subjected.

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Posted by on 2019/04/15 in General

 

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FRAME:WORKS Symposium 2017 – An Illustrated Report

Authors: Mark Hibbett, Guy Lawley, Tobias J. Yu-Kiener

Images: John Miers.

FRAME:WORKS was a one-day symposium on comics held at Central St Martins (CSM) on Friday, June 16th 2017, funded by University of the Arts London (UAL) Communities of Practice as a UAL Comics Studies Network event. It was organised by Mark Hibbett, Guy Lawley and Tobias J. Yu-Kiener, with sketch-noting by John Miers.

The symposium was devised to bring together a mix of comics academics, practitioners and professionals. Grouped into four thematic sessions, the speakers discussed the nature of working within frameworks, whether artistic, conceptual, professional or legal. The organisers envisioned that the term ‘framework’ could be perceived both negatively, as limitation and restriction, and positively, as a guiding and framing structure to a project. This idea was picked up by the speakers and carried on into the chaired discussions that concluded each panel.

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CfP: Spaces Between – Gender, Diversity and Identity in Comics (ComFor 2018, Cologne)

The conference topic Spaces Between – Gender, Diversity and Identity in Comics will draw our attention to the nexus between the medium of comics and categories of difference and identity such as gender, dis/ability, age, and ethnicity, in order to open and deepen an interdisciplinary conversation between comics studies and intersectional identity studies within the international comics studies community. In this respect, the 13th annual conference of the German Society for Comics Studies will not only contribute to the disclosure of exclusions, power structures and (hetero)normative allocations in comics, but will also critically analyse their socio‐political and communicative forms of (re)production.

Potential topics for contributions may include, but are not limited to, the following:

  • constructions of gender in comics

  • the interplay of gender and genre in comics
  • conceptions of identity and their (de)construction in comics
  • intersectionality and comics
  • the (re)production and constitution of difference and power structures in comics
  • manifestations of heteronormative structures and allocations in comics
  • mechanisms of hegemonic exclusion(s) in comics
  • queerness and comics
  • historic dimensions of identities in comics
  • diversity and normalisation processes in comics
  • race, class and ethnic stereotypes in comics
  • comics and postcolonial studies
  • body images in comics
  • representations of dis/ability in comics
  • the interrelation of comics, health and corporeality in the realm of graphic medicine
  • economies of difference: gender, identity and diversity on the (international) comics market
  • spaces between, centres and peripheries: transnationality and diversity in comics culture

See the PDF here for more information.

 
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Posted by on 2018/03/15 in Gender, General

 

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Report: Transnational Graphic Narratives Summer School

University of Siegen, Germany. July 31st – August 5th 2017

-Report-

Authors: Amadeo Gandolfo, Pablo Turnes, Laura Nallely Hernández Nieto, Lia Roxana Donadon

Introduction

The first Transnational Graphic Narratives Summer School (abbreviated TGN) was held at the University of Siegen, Campus Unteres Schloß, from July 31st to August 5th of 2017. The participants included the following scholars (in alphabetical order): José Alaniz (University of Washington, USA), Benoît Crucifix (Université de Liège, Belgium), Veronica Dean (University of Los Angeles, USA), Subir Dey (Indian Institute of Technology Guwahati, India), Harriet Earle (Sheffield Hallam University, England), Franca Feil (Goethe University Frankfurt, Germany), Moritz Fink (Academy for Civic Education Tutzing, Germany), Amadeo Gandolfo and Pablo Turnes (National University of Buenos Aires / CONICET, Argentina), Isabelle Guillaume (Universiy of Bordeaux Montagne, France), Olivia Hicks (University of Dundee, Scotland), Ganiyu A. Jimoh (University of Lagos, Nigeria), Kenan Koçak (Bilecik Şeyh Edebali University, Turkey), Sarah Lightman (University of Glasgow, Scotland), Suraya Md Nasir (Kyoto Seika University, Japan), Laura Nallely Hernández Nieto (National Autonomous University of Mexico), Barbara Postema (Concordia University, Canada), Johannes Schmid (University of Hamburg, Germany), Pfunzo Sidogi (Tshwane University of Technology, South Africa), Simon Turner (Sainsbury Institute for the Study of Japanese Arts and Culture, England), Jocelyn Wright (University of Texas, USA), Tobias Yu-Kiener (University of the Arts London, Great Britain), Giorgio Buzzi Rizzi (University of Bologna, Italy), Lia Roxana Donadon (University of Siegen, Germany).

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