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Category Archives: General

Spotlight on Indian Comics and Folklore

This post is guest written by Subir Dey, a Research Scholar at the Indian Institute of Technology Guwahati.

Teenta’ means ‘Three’ in Nagamese language. All the three stories in this book are adapted from ‘the book of Naga folktales’ published by Department of Art and Culture, Nagaland. Folktales are the hidden treasure of our culture and transforming the folktales in comics format was an attempt to unearth the hidden treasure and make it more interesting. The comics presented hereby are work of hard labour, brainstorming and numerous pencil strokes, which are completed over a period of 3 Days, as part of ‘Comics-Comics! A Comics Making Workshop’ conducted by Subir Dey. The main objective of the workshop was to understand the persistence, patience and commitment required for making comics. The art styles are raw and bear certain honesty towards the stories which is rarely seen in today’s polished and flamboyant world of superheroes. The essence of the stories lies in their grounded nature. They tell the stories of spirits, tigers, stepmothers, jealousy, foolishness and so many other emotions and expressions that are part of ‘modern life’ too.

The representation of characters and environment in this book is completely imagined by the artists and may or may not bear resemblance to the Naga culture. This is due to the simple reason that giving out the message of the Naga folktales was given more priority than the exact representation of Naga culture (which would not have been possible in 3 days!).

So, enjoy some of the gems from Naga folktales.
Happy Reading!

To view these comics, please click the link below:

‘Teenta’ Naga Folktales

 
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Posted by on 2017/11/03 in General, Guest Writers

 

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CfP: Graphic Realities: Comics as Documentary, History, and Journalism

Graphic Realities: Comics as Documentary, History, and Journalism

International Conference

22.-23.02.2018, Justus-Liebig-University Giessen/GCSC

While comics have traditionally been associated with fictional, especially funny and/or fantastic stories, they have in recent decades become a major vehicle for nonfiction, as well. This development coincides with a time that has been described as ‘post-truth’, in which established news media face a crisis of confidence. The turn towards comics is a turn towards a medium, which inherently promotes simplification and exaggeration. Cartoon imagery thus immediately exhibits the subjectivity of the artist and her or his interpretation – but what could be considered a hindrance towards factual reporting has become an important resource. The overt display of subjectivity and medial limitations as a show of honesty has been described as an authentication strategy of graphic nonfiction. In contrast to formats based on camera-recorded images like photography and film nonfiction comics cannot lay claim to indexing premedial reality. Rather, individual graphic styles index their own creator who as witness becomes the main authenticator. Thus, comics shift the weight of authentication from medial prerequisites towards their authors and artists and thus the textual properties referencing them. One of the questions that will be discussed at the conference is thus the relation of inherent medial properties of comics as vehicle for nonfiction. While among graphic nonfiction life

While among graphic nonfiction life writing in particular has received widespread scholarly attention, this conference will focus on recent approaches to comics as documentary, history, and journalism. As opposed to graphic memoirs in which authors reflect upon their own lives and experiences, these works focus on the lives and experiences of others. Thus, authors and artists need to do justice towards their subjects, as well as to their own experience and negotiate their own voices within their stories. This becomes especially relevant as a majority of graphic reportages centers around highly traumatizing crises and catastrophes, such as war, displacement, natural disasters, and oppression. The conference is intended to explore how authors and artists utilize the medium of comics for nonfiction and address these ‘graphic realities’.

Invited Speakers:
 Prof. Dr. Jörn Ahrens (Justus-Liebig-Universität Giessen)
 Dr. Nina Mickwitz (University of the Arts London)
 Prof. Dr. Dirk Vanderbeke (Friedrich-Schiller-Universität Jena)
 Prof. Dr. Wibke Weber (Züricher Hochschule für Angewandte Wissenschaften
Winterthur)

Submission for talks should address one or more of the following questions:
 How is the medium of comics employed for reportage, history writing, and to report
on war, crises, and trauma?
 Which narrative and aesthetic strategies do authors and artists employ to present and
authenticate their comics as nonfiction?
 How do the genres of ‘documentary’, ‘history’, and ‘journalism’ in comics relate to
each other and how do they relate to other genres of graphic nonfiction such as ‘lifewriting’ or educational formats?
 Does the medium of comics inherently support nonfictionality, or does it depend on con- and paratexual framing practices?
 How do different ‘transfer media’ such as comic books or webcomics affect the
potential of comics for factual reporting?
 How and to what extent is nonfictionality created through intermediality, especially
with regard to more conventionally ‘factual’ media such as photography and film?
 In how far do different comics traditions differ transnationally and -culturally with
regard to their status as nonfiction?

Please submit your proposals (no longer than 300 words) for talks (20 min) and a short CV including your affiliation to graphicrealities@gcsc.uni-giessen.de until November 3rd, 2017.

The conference is organized as collaboration between the International Centre for the Study of Culture Giessen (GCSC) and the Comics Studies Working Group (AG Comicforschung) of the German Society for Media Studies (GfM) by Laura Schlichting (Justus-Liebig-University Giessen) and Johannes C. P. Schmid (University of Hamburg).

A membership in the Comics Studies Working Group is not mandatory for participation.

 
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Posted by on 2017/09/04 in ComFor Updates, General, News

 

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CFP: Comics and their Popularity

The German Society for Comics Studies (ComFor) invites abstracts for their 12th annual research conference, to be held at Bonn University, Dec 1st-3rd, 2017. Deadline: April 30th.

Please click here for a PDF with more details.

 
 

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An Interview With Dirty Rotten Comics

One of the amazing, unique and encouraging things about comics is the sense of community that is fostered across the broad range of readers and writers. It is massively refreshing to see academic readers of comics in open and equal conversation with die-hard fans, writers, artists and even ‘casual readers’. This is a form that brings people together across backgrounds. Dirty Rotten Comics is a small press anthology that seeks to be an outlet for creators of comics who are starting out and brilliant. I spoke to Kirk Campbell and Gary Clap to learn more about Dirty Rotten Comics and Throwaway Press.

HE: Tell me a little bit about you – why comics? How did you get into the publishing world?

GC: We started writing and drawing comics together back at university, with a couple of friends. We were just writing throwaway gag strips for one another, playing around with ideas and seeing who could come up with the most outrageous punchline. We did this for a few years, and over time found that we had enough material to publish. So we threw together some cheap A5 collections and toured the small press comic fairs and conventions that were around at the time. It was all fairly basic stuff but good fun nonetheless, and it was a thrill to have our comics reach a wider audience. Read the rest of this entry »

 
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Posted by on 2017/03/23 in General, Interviews

 

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Comics Forum Opportunities

Comics Forum is seeking to appoint three or more individuals to the roles of Articles Editor(s), News Editor(s), and Reviews Editor(s) on the Comics Forum website (www.comicsforum.org). Each of the roles is outlined below:

Articles Editor

The articles editor will:

  • Actively source articles for the Comics Forum website (by attending conferences, staying up to date with developments in comics scholarship, approaching possible contributors)
  • Edit guest articles (with a keen eye for textual organisation, argument, and structure)
  • Be engaged in ongoing communication with guest contributors
  • Format and publish articles on our website (WordPress), liaising with the other website & social media editors

News Editor

The Comics Forum News Review is a monthly roundup of articles relevant to comics scholarship from around the internet, sourced by an established body of international comics scholars from across the continents of Africa, Americas, Asia, Europe, Oceania (see https://comicsforum.org/category/news-review/ for reference).

The responsibilities of a News Editor include the collating of news reports from a range of international correspondents (these arrive on the last day of a given month), editing these reports into a News Review post, and publishing it on the Comics Forum website on the 4th day of the following month. Secondary to this, the News Editor is responsible for the development of the News Review as and when possible, including sourcing and expanding its pre-existing body of correspondents that feed into the News Review.

Reviews Editor

The reviews editor will:

  • Actively source texts to review and reviewers for the Comics Forum website (by staying up to date with developments in comics scholarship, approaching possible contributors, developing and maintaining good relationships with publishers)
  • Edit reviews (with a keen eye for textual organisation, argument, and structure)
  • Be engaged in ongoing communication with reviewers
  • Format and publish articles on our website (WordPress), liaising with the other website & social media editors

All three roles require:

  • Excellent communication skills, both written and verbal
  • A strong knowledge of English
  • Meticulous proofreading
  • Academic writing skills
  • Deadline driven
  • Knowledge of comics scholarship (and willingness to stay up-to-date)
  • Reasonably tech-savvy (You’ll be working with Word, WordPress, and social media)
  • Strong organisational skills
  • Previous editorial experience is desirable but not essential

All roles are voluntary positions.

To apply for one of these roles, please email your CV (including publications if possible) and a cover letter to comicsforum@hotmail.co.uk. The deadline for applications is the 25th of September.

 
 
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