Comics and related forms have engaged with themes of welfare since at least as early as 1751, when Hogarth’s prints Beer Street and Gin Lane presented satirical comments on alcohol legislation and public health. Since then, depictions of welfare-related concerns have proliferated in comics ranging from small scale graphic pathographies through to large scale public communication campaigns. The rise of Graphic Medicine as a field of scholarship has given visibility to titles exploring health, disability and wellbeing, but comics are equally entwined with issues of welfare concerning literacy, representation and community. Beyond the content of the comics, the ways they are made, by a community of workers, draws our attention to the welfare of creators and the sustainability of the art form and its connected industries and audiences.
Comics Forum 2026 will explore the theme of welfare, broadly conceived, in relation to any form of comics (i.e. including bande dessinée, manga etc.). Proposals are welcome from academics and comics creators. Topics may include:
Proposals of up to 250 words in length are now being accepted at this link. The deadline for submissions is the 31st of August and you will be notified of acceptance by or before the 12th of September. Please include a short (100 word) biography of your speaker(s) with your proposal. We look forward to welcoming you to Leeds!
13-14 November 2025, Leeds Art Gallery and Central Library (UK)
When David Kunzle asserted in his 1973 magnum opus The Early Comic Strip, that it was by definition ‘a mass medium,’ he pointed to comics’ industrial and mechanical foundations, arguing that: ‘The comic strip is, and can only be, the product of the printing press’ (3). Although experimental comics challenge the idea that mechanical reproduction is a defining characteristic of comics, and the notion of the comic book industry as a coherent entity has been questioned, it is undeniable that comics have been greatly influenced by the industrial contexts in which they are created and circulate. These contexts include the companies that are well known for creating comics, such as publishers and retailers, but also less publicly visible but vitally important industries: printers, distributers, marketers, translators and more. Technology platforms and other media industries that connect to comics through branding, cross-promotion and trans- or multimedia forms also play important roles.
Comics Forum 2025 will explore the theme of industry, broadly conceived, in relation to any form of comics (i.e. including bande dessinée, manga etc.). Proposals are welcome from academics, and from industry participants (in any role). Topics may include:
Historical and/or geographical comics industries
The economics of comics and related industries
Models for studying comics as industrial forms
Anti- or non-industrial comics production
Digitisation as an industrial shift
Representations of industries in comics narratives
Agency, authorship and alienation within industrial contexts
Industrial relations, labour movements, precarity, collectivisation
Disruption in comics’ industrial contexts
The ethics of comics’ industrial practices
Comics as part of a broader media ecosystem
Future(s) for comics as industrially produced mass media
Challenges facing comics industries in the 2020s and 30s
We recognise that artificial intelligence (AI) is a key point of concern across a range of fields, and proposals on this topic are welcome, but we encourage applicants to think broadly about technology and manufacturing.
Submissions will be considered in any of the following three formats:
Paper: 20-minute paper on a focused topic
Panel: 1-hour structured discussion between three or more participants
Proposals of up to 250 words in length are now being accepted at this link: SUBMIT NOW. The deadline for submissions is the 31st of August and you will be notified of acceptance by or before the 12th of September. Please include a short (100 word) biography of your speaker(s) with your proposal. We look forward to welcoming you to Leeds!
by Nicoletta Mandolini, Alessia Mangiavillano, Giorgio Busi Rizzi and Eva Van de Wiele
From Monday 12 July to Thursday 15 July, the third edition of the AIPI (Associazione Internazionale Professori di Italiano) Summer School took place in Ghent. For the first time, the Summer School was dedicated to the study of comics. The edition was sponsored by AIPI; the Italian Cultural Institute of Brussels; the Dante Alighieri Society of Ghent; and the research groups COMICS and SnIF.
Gert Meesters chaired Panel 4: A Space for Girls. Early research into the relationship between comics and their readers was central to Sylvain Lesage’s presentation. Through a study of reader correspondences he analysed the reception of and discourse provoked by the comics strip “Corinne et Jeannot” in the communist comics magazine for children Pif Gadget (1969- 1993/2004-2009). The serial performance of Jeannot, a boy in love being pranked by Corinne, the girl he adores, sparked a feedback loop between publishers, creators and readers and was also referred to within the comic. The curiosity of the readers’ letters is their desire to negotiate the morality of a fictional character, to communicate ideologies such as the extent of acceptable meanness for girls and suitable levels of temperance and kindness. It speaks to readers’ genuine investment in these comics, showing that fictional characters in humour strips are subject to such socially normative constraints. Aswathy Senan’s research on the childhood of Malayalis considered the extent to which the context of publication shapes the comics themselves. This notion was explored through a comparison of the comics strip “Bobanum Moliyum” as published in the women’s magazine Malayala Manorama and in Kalakaumudi, a literary magazine. Whilst the characters and the concept of their strip remained constant, the humour, the interests and the agency of the characters adapted to the flavour of the different magazines.
The digital symposium Sugar and Spice, and the Not So Nice: Comics Picturing Girlhoodwas launched on 22 April 2021 with a profound and personal keynote by Mel Gibson. Using herself as a case study she reflected on being a reader, a librarian, a scholar and an individual who, in a variety of fields, has represented non-standard notions of ‘girl’. In workshops for librarians, teachers and scholars, Gibson uses comics for object elicitation, allowing her to encourage others to reconsider themselves as child comics readers and the complex ideologies knotted up in this experience. Gibson’s work provokes the notion of the individual as a role model, a unique and precise representation with particular qualities, interests and passions. Using restorative nostalgia entails not just reflecting back on but, also, resisting shame and embarrassment, forgiving and accepting ourselves as the child readers we were. Gibson shows a respect for the powerful and evocative materiality of comics and offers a compassionate model for identity. Whilst speaking personally about comics reading, Gibson engaged with discourses of hierarchy, child development and affect, interrogating the simple truth that what we read is part of making us who we are.
Comics Forum 
AIPI Summer School 2021 Ricerca a fumetti (Researching comics: genres, form(s), variations) 1/2
by Nicoletta Mandolini, Alessia Mangiavillano, Giorgio Busi Rizzi and Eva Van de Wiele
From Monday 12 July to Thursday 15 July, the third edition of the AIPI (Associazione Internazionale Professori di Italiano) Summer School took place in Ghent. For the first time, the Summer School was dedicated to the study of comics. The edition was sponsored by AIPI; the Italian Cultural Institute of Brussels; the Dante Alighieri Society of Ghent; and the research groups COMICS and SnIF.
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Posted by Annick Pellegrin on 2021/09/15 in Conference reports
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