RSS

Category Archives: News

Deadline Extended: Comics Forum 2018 Call for Papers

Progress: A Decade of Comics Scholarship
Leeds Central Library 20-21 September

Call for Papers

Deadline extended to the 23rd of July 2018.

Comics Forum 2018 is the tenth anniversary of the annual conference series. To celebrate this milestone, we invite scholars from around the world to join us for a two-day series of talks looking back at the subjects Comics Forum has focused on over the past decade and considering how they have changed and developed. We are now open to submissions on any of the following themes, reflecting the topics from previous years’ events (please indicate which theme you are addressing when you submit your abstract):

  • Genre (2016)
  • Graphic Medicine: Visualizing the Stigma of Illness (2011)[1]
  • Materiality and Virtuality (2011)
  • Multiculturalism and Representation (2012)
  • Politics (2015)
  • Possibilities and Perspectives (2009)
  • Sculpture and Comic Art (2011)[2]
  • Small Press and Undergrounds (2013)
  • Space (2017)
  • Theory and Practice (2010)
  • Violence (2014)
  • Women in Comics (2010)[3]

Submissions will be considered in any of the following three formats (please indicate which you are proposing when you submit your abstract):

  • Paper: 15-minute paper on a focused topic.
  • Panel: 1 hour structured discussion between three or more participants (N.B.: this should be a coherent unit, not simply a collection of three or four papers).
  • Workshop: 1 hour interactive, collaborative session aimed at producing outputs to be published on comicsforum.org.

Proposals of up to 250 words in length are now being accepted at the following link: http://bit.ly/comicsforum2018 The deadline for submissions is the 23rd of July and you will be notified of acceptance by or before the 30th of July. Please include a short (100 word) biography of your speaker(s) with your proposal. We look forward to welcoming you to Leeds!

***

[1] Graphic Medicine: Guest conference organised by Ian Williams and MK Czerwiec.
[2] Sculpture and Comic Art: Guest conference organised by Jon Wood and Kirstie Gregory.
[3] Women in Comics: Guest conference organised by Sarah Lightman, Catriona MacLeod, Hattie Kennedy and Emily Rabone.
 

Call for Papers: Comics Forum 2018

Progress: A Decade of Comics Scholarship
Leeds Central Library 20-21 September

Call for Papers

Deadline extended to the 23rd of July 2018.

Comics Forum 2018 is the tenth anniversary of the annual conference series. To celebrate this milestone, we invite scholars from around the world to join us for a two-day series of talks looking back at the subjects Comics Forum has focused on over the past decade and considering how they have changed and developed. We are now open to submissions on any of the following themes, reflecting the topics from previous years’ events (please indicate which theme you are addressing when you submit your abstract):

  • Genre (2016)
  • Graphic Medicine: Visualizing the Stigma of Illness (2011)[1]
  • Materiality and Virtuality (2011)
  • Multiculturalism and Representation (2012)
  • Politics (2015)
  • Possibilities and Perspectives (2009)
  • Sculpture and Comic Art (2011)[2]
  • Small Press and Undergrounds (2013)
  • Space (2017)
  • Theory and Practice (2010)
  • Violence (2014)
  • Women in Comics (2010)[3]

Submissions will be considered in any of the following three formats (please indicate which you are proposing when you submit your abstract):

  • Paper: 15-minute paper on a focused topic.
  • Panel: 1 hour structured discussion between three or more participants (N.B.: this should be a coherent unit, not simply a collection of three or four papers).
  • Workshop: 1 hour interactive, collaborative session aimed at producing outputs to be published on comicsforum.org.

Proposals of up to 250 words in length are now being accepted at the following link: http://bit.ly/comicsforum2018 The deadline for submissions is the 23rd of July and you will be notified of acceptance by or before the 30th of July. Please include a short (100 word) biography of your speaker(s) with your proposal. We look forward to welcoming you to Leeds!

***

[1] Graphic Medicine: Guest conference organised by Ian Williams and MK Czerwiec.
[2] Sculpture and Comic Art: Guest conference organised by Jon Wood and Kirstie Gregory.
[3] Women in Comics: Guest conference organised by Sarah Lightman, Catriona MacLeod, Hattie Kennedy and Emily Rabone.
 

FRAME:WORKS Symposium 2017 – An Illustrated Report

Authors: Mark Hibbett, Guy Lawley, Tobias J. Yu-Kiener

Images: John Miers.

FRAME:WORKS was a one-day symposium on comics held at Central St Martins (CSM) on Friday, June 16th 2017, funded by University of the Arts London (UAL) Communities of Practice as a UAL Comics Studies Network event. It was organised by Mark Hibbett, Guy Lawley and Tobias J. Yu-Kiener, with sketch-noting by John Miers.

The symposium was devised to bring together a mix of comics academics, practitioners and professionals. Grouped into four thematic sessions, the speakers discussed the nature of working within frameworks, whether artistic, conceptual, professional or legal. The organisers envisioned that the term ‘framework’ could be perceived both negatively, as limitation and restriction, and positively, as a guiding and framing structure to a project. This idea was picked up by the speakers and carried on into the chaired discussions that concluded each panel.

Read the rest of this entry »

 

Tags: , , ,

Report: Transnational Graphic Narratives Summer School

University of Siegen, Germany. July 31st – August 5th 2017

-Report-

Authors: Amadeo Gandolfo, Pablo Turnes, Laura Nallely Hernández Nieto, Lia Roxana Donadon

Introduction

The first Transnational Graphic Narratives Summer School (abbreviated TGN) was held at the University of Siegen, Campus Unteres Schloß, from July 31st to August 5th of 2017. The participants included the following scholars (in alphabetical order): José Alaniz (University of Washington, USA), Benoît Crucifix (Université de Liège, Belgium), Veronica Dean (University of Los Angeles, USA), Subir Dey (Indian Institute of Technology Guwahati, India), Harriet Earle (Sheffield Hallam University, England), Franca Feil (Goethe University Frankfurt, Germany), Moritz Fink (Academy for Civic Education Tutzing, Germany), Amadeo Gandolfo and Pablo Turnes (National University of Buenos Aires / CONICET, Argentina), Isabelle Guillaume (Universiy of Bordeaux Montagne, France), Olivia Hicks (University of Dundee, Scotland), Ganiyu A. Jimoh (University of Lagos, Nigeria), Kenan Koçak (Bilecik Şeyh Edebali University, Turkey), Sarah Lightman (University of Glasgow, Scotland), Suraya Md Nasir (Kyoto Seika University, Japan), Laura Nallely Hernández Nieto (National Autonomous University of Mexico), Barbara Postema (Concordia University, Canada), Johannes Schmid (University of Hamburg, Germany), Pfunzo Sidogi (Tshwane University of Technology, South Africa), Simon Turner (Sainsbury Institute for the Study of Japanese Arts and Culture, England), Jocelyn Wright (University of Texas, USA), Tobias Yu-Kiener (University of the Arts London, Great Britain), Giorgio Buzzi Rizzi (University of Bologna, Italy), Lia Roxana Donadon (University of Siegen, Germany).

Read the rest of this entry »

 

Tags: , , , , ,

CfP: Graphic Realities: Comics as Documentary, History, and Journalism

Graphic Realities: Comics as Documentary, History, and Journalism

International Conference

22.-23.02.2018, Justus-Liebig-University Giessen/GCSC

While comics have traditionally been associated with fictional, especially funny and/or fantastic stories, they have in recent decades become a major vehicle for nonfiction, as well. This development coincides with a time that has been described as ‘post-truth’, in which established news media face a crisis of confidence. The turn towards comics is a turn towards a medium, which inherently promotes simplification and exaggeration. Cartoon imagery thus immediately exhibits the subjectivity of the artist and her or his interpretation – but what could be considered a hindrance towards factual reporting has become an important resource. The overt display of subjectivity and medial limitations as a show of honesty has been described as an authentication strategy of graphic nonfiction. In contrast to formats based on camera-recorded images like photography and film nonfiction comics cannot lay claim to indexing premedial reality. Rather, individual graphic styles index their own creator who as witness becomes the main authenticator. Thus, comics shift the weight of authentication from medial prerequisites towards their authors and artists and thus the textual properties referencing them. One of the questions that will be discussed at the conference is thus the relation of inherent medial properties of comics as vehicle for nonfiction. While among graphic nonfiction life

While among graphic nonfiction life writing in particular has received widespread scholarly attention, this conference will focus on recent approaches to comics as documentary, history, and journalism. As opposed to graphic memoirs in which authors reflect upon their own lives and experiences, these works focus on the lives and experiences of others. Thus, authors and artists need to do justice towards their subjects, as well as to their own experience and negotiate their own voices within their stories. This becomes especially relevant as a majority of graphic reportages centers around highly traumatizing crises and catastrophes, such as war, displacement, natural disasters, and oppression. The conference is intended to explore how authors and artists utilize the medium of comics for nonfiction and address these ‘graphic realities’.

Invited Speakers:
 Prof. Dr. Jörn Ahrens (Justus-Liebig-Universität Giessen)
 Dr. Nina Mickwitz (University of the Arts London)
 Prof. Dr. Dirk Vanderbeke (Friedrich-Schiller-Universität Jena)
 Prof. Dr. Wibke Weber (Züricher Hochschule für Angewandte Wissenschaften
Winterthur)

Submission for talks should address one or more of the following questions:
 How is the medium of comics employed for reportage, history writing, and to report
on war, crises, and trauma?
 Which narrative and aesthetic strategies do authors and artists employ to present and
authenticate their comics as nonfiction?
 How do the genres of ‘documentary’, ‘history’, and ‘journalism’ in comics relate to
each other and how do they relate to other genres of graphic nonfiction such as ‘lifewriting’ or educational formats?
 Does the medium of comics inherently support nonfictionality, or does it depend on con- and paratexual framing practices?
 How do different ‘transfer media’ such as comic books or webcomics affect the
potential of comics for factual reporting?
 How and to what extent is nonfictionality created through intermediality, especially
with regard to more conventionally ‘factual’ media such as photography and film?
 In how far do different comics traditions differ transnationally and -culturally with
regard to their status as nonfiction?

Please submit your proposals (no longer than 300 words) for talks (20 min) and a short CV including your affiliation to graphicrealities@gcsc.uni-giessen.de until November 3rd, 2017.

The conference is organized as collaboration between the International Centre for the Study of Culture Giessen (GCSC) and the Comics Studies Working Group (AG Comicforschung) of the German Society for Media Studies (GfM) by Laura Schlichting (Justus-Liebig-University Giessen) and Johannes C. P. Schmid (University of Hamburg).

A membership in the Comics Studies Working Group is not mandatory for participation.

 
1 Comment

Posted by on 2017/09/04 in ComFor Updates, General, News

 

Tags: , , , , , ,

 
%d bloggers like this: