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Comics Forum 2025: Call for Contributions

13-14 November 2025, Leeds Art Gallery and Central Library (UK)

When David Kunzle asserted in his 1973 magnum opus The Early Comic Strip, that it was by definition ‘a mass medium,’ he pointed to comics’ industrial and mechanical foundations, arguing that: ‘The comic strip is, and can only be, the product of the printing press’ (3). Although experimental comics challenge the idea that mechanical reproduction is a defining characteristic of comics, and the notion of the comic book industry as a coherent entity has been questioned, it is undeniable that comics have been greatly influenced by the industrial contexts in which they are created and circulate. These contexts include the companies that are well known for creating comics, such as publishers and retailers, but also less publicly visible but vitally important industries: printers, distributers, marketers, translators and more. Technology platforms and other media industries that connect to comics through branding, cross-promotion and trans- or multimedia forms also play important roles.

Comics Forum 2025 will explore the theme of industry, broadly conceived, in relation to any form of comics (i.e. including bande dessinée, manga etc.). Proposals are welcome from academics, and from industry participants (in any role). Topics may include:

  • Historical and/or geographical comics industries
  • The economics of comics and related industries
  • Models for studying comics as industrial forms
  • Anti- or non-industrial comics production
  • Digitisation as an industrial shift 
  • Representations of industries in comics narratives
  • Agency, authorship and alienation within industrial contexts
  • Industrial relations, labour movements, precarity, collectivisation 
  • Disruption in comics’ industrial contexts
  • The ethics of comics’ industrial practices
  • Comics as part of a broader media ecosystem
  • Future(s) for comics as industrially produced mass media
  • Challenges facing comics industries in the 2020s and 30s

We recognise that artificial intelligence (AI) is a key point of concern across a range of fields, and proposals on this topic are welcome, but we encourage applicants to think broadly about technology and manufacturing.

Submissions will be considered in any of the following three formats:

  • Paper: 20-minute paper on a focused topic
  • Panel: 1-hour structured discussion between three or more participants
  • Workshop: 1-hour interactive, collaborative session

Proposals of up to 250 words in length are now being accepted at this link: SUBMIT NOW. The deadline for submissions is the 31st of August and you will be notified of acceptance by or before the 12th of September. Please include a short (100 word) biography of your speaker(s) with your proposal. We look forward to welcoming you to Leeds!

 
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Posted by on 2025/07/03 in Comics Forum 2025, News

 

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An Interview With Dirty Rotten Comics

One of the amazing, unique and encouraging things about comics is the sense of community that is fostered across the broad range of readers and writers. It is massively refreshing to see academic readers of comics in open and equal conversation with die-hard fans, writers, artists and even ‘casual readers’. This is a form that brings people together across backgrounds. Dirty Rotten Comics is a small press anthology that seeks to be an outlet for creators of comics who are starting out and brilliant. I spoke to Kirk Campbell and Gary Clap to learn more about Dirty Rotten Comics and Throwaway Press.

HE: Tell me a little bit about you – why comics? How did you get into the publishing world?

GC: We started writing and drawing comics together back at university, with a couple of friends. We were just writing throwaway gag strips for one another, playing around with ideas and seeing who could come up with the most outrageous punchline. We did this for a few years, and over time found that we had enough material to publish. So we threw together some cheap A5 collections and toured the small press comic fairs and conventions that were around at the time. It was all fairly basic stuff but good fun nonetheless, and it was a thrill to have our comics reach a wider audience. Read the rest of this entry »

 
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Posted by on 2017/03/23 in General, Interviews

 

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