Category Archives: Reviews

Report: Transnational Graphic Narratives Summer School

University of Siegen, Germany. July 31st – August 5th 2017


Authors: Amadeo Gandolfo, Pablo Turnes, Laura Nallely Hernández Nieto, Lia Roxana Donadon


The first Transnational Graphic Narratives Summer School (abbreviated TGN) was held at the University of Siegen, Campus Unteres Schloß, from July 31st to August 5th of 2017. The participants included the following scholars (in alphabetical order): José Alaniz (University of Washington, USA), Benoît Crucifix (Université de Liège, Belgium), Veronica Dean (University of Los Angeles, USA), Subir Dey (Indian Institute of Technology Guwahati, India), Harriet Earle (Sheffield Hallam University, England), Franca Feil (Goethe University Frankfurt, Germany), Moritz Fink (Academy for Civic Education Tutzing, Germany), Amadeo Gandolfo and Pablo Turnes (National University of Buenos Aires / CONICET, Argentina), Isabelle Guillaume (Universiy of Bordeaux Montagne, France), Olivia Hicks (University of Dundee, Scotland), Ganiyu A. Jimoh (University of Lagos, Nigeria), Kenan Koçak (Bilecik Şeyh Edebali University, Turkey), Sarah Lightman (University of Glasgow, Scotland), Suraya Md Nasir (Kyoto Seika University, Japan), Laura Nallely Hernández Nieto (National Autonomous University of Mexico), Barbara Postema (Concordia University, Canada), Johannes Schmid (University of Hamburg, Germany), Pfunzo Sidogi (Tshwane University of Technology, South Africa), Simon Turner (Sainsbury Institute for the Study of Japanese Arts and Culture, England), Jocelyn Wright (University of Texas, USA), Tobias Yu-Kiener (University of the Arts London, Great Britain), Giorgio Buzzi Rizzi (University of Bologna, Italy), Lia Roxana Donadon (University of Siegen, Germany).

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Review: Take It as a Compliment by Maria Stoian

By Harriet Earle


Winner of the 2016 SICBA Best Graphic Novel Award and the Independent Publisher’s 2016 Outstanding Book of the Year Independent Spirit Award.

Unfortunately, it’s probably happened to all of us. We find ourselves in a situation that does not feel quite right—perhaps it was a stranger on the bus standing uncomfortably close or a sense of being followed when walking home in the late evening. Unfortunately, it’s probably happened to a large number of us that we’ve been in situations far more dangerous. Sexual harassment and assault exists on a scale and it is wrong to suggest that the ‘lower’ end of the scale should be dismissed. Often, such actions are dismissed and victims are told to ‘take it as a compliment’, a grim suggestion when we consider how uncomfortable and personally violated these behaviours can make us feel. The issue of sexual harassment and assault have become of increasing importance in the social conversation of the 21st century but often the focus is on men targeting women and ignores the wider issue of female-to-male and same-sex harassment. Enter Maria Stoian’s 2016 comic Take It as a Compliment. Taking that horrible yet common phrase as its title, this not really Stoian’s story—it’s a collective memoir of sexual assault, created by survivors and filtered through Stoian’s artwork.

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Review: Trauma is Really Strange and Pain is Really Strange by Steve Haines, with art by Sophie Standing

By Harriet Earle


The titles of these books do not lie; both trauma and pain are really strange. Indeed, it is in their strangeness that both of these common phenomena find their power. We do not know much about them (comparatively speaking) and their diagnosis and treatment is neither standardised nor, oftentimes, effective. However, as with so much in life, knowing is half the battle and being able to understand the basics of a condition can lead to more effective self-management, if not multi-levelled treatment by medical professionals. That’s where these two books come in. Bodyworker and fervent advocate of a number of alternative treatments Steve Haines has worked with illustrator Sophie Standing to create two accessible and plain-speaking guides to pain and trauma. The result? Nothing short of excellent.

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Review: Threadbare by Anne Elizabeth Moore

Threadbare: Clothes, Sex and Trafficking by Anne Elizabeth Moore and The Ladydrawers

Microcosm Publishing. 10th May 2016. ISBN: 978-1-62106-739-9. Price: $13.95


Reviewed by Harriet Earle

As I write this review, I am acutely aware of my clothing. Not the items specifically as much as the fact that almost everything I’m wearing came from a high street store and cost very little. This is not something I have concerned myself with much in the past but after reading Threadbare: Clothes, Sex and Trafficking, a brilliantly constructed report on ‘the connections between the global fashion and sex trades’ I have found myself rethinking my previous stance on fashion. In this comic, Moore spotlights the complex and far-reaching relationship between these two markets to create a comic that is dense and informative without being dull or confusing. The result is a text that not only informs the reader of the relationship between fashion (especially ‘fast fashion’ – cheap, mass produced clothing that is taking the global market by storm) and the international sex and trafficking trades but also provides nuanced, personal stories from women whose lives are directly affected by the issues at hand. The combination of astute research and intensely personal artistic styles is what makes this book. This is no ordinary comic: this is a manifesto.

From the outset we are faced with some harsh truths: the world of fashion has changed drastically over the past century and is still in flux. In the US, the average woman buys 68 items of clothing per year. One in seven women worldwide is employed in the garment industry. Shop staff are paid low wages with little to no security or benefits; models are routinely encouraged to diet excessively and are often forced into situations they are not comfortable with; garment factory workers face long hours, minimal pay and all manner of horrific abuses. Threadbare is open and honest about these facts; it encourages the reader to contemplate them, not just as abstract statistics but through vignettes with individual representatives of each part of the sprawling international garments industry. Moore is not rehashing someone else’s research – this is all her own work, complete with notes and references. She directly engages with her subjects and it shows. She exists within her own comics as a guiding voice, if not visible character, through the agenda that each short strip sets up and the focussed way it plays out.

The Ladydrawers, an ‘unofficially affiliated group’ of artists that ‘researches, performs and publishes comics and texts about how economics, race, sexuality, and gender impact the comics industry, other media, and our culture at large’. Their artwork is raw and curiously coloured; the majority of the strips rely on black line work, highlighted by shades of orange, red and pink. Each artist has a distinct style and their individuality lends the particular narratives a flavour all their own. The narrating head and shoulders sketches of model Sarah Meier in ‘Model Employee’, drawn by Delia Jean, floats throughout a series of flashbacks to her own story and imagined meetings in other people’s. In contrast, Melissa Mendes’ cool and impersonal industrial landscapes illustrate the stark reality of how zoning laws are manipulated by the garment industry to keep both merchandise and labour cheap.

Threadbare is an incredibly wordy comic; though pocket-sized, the amount of information contained within requires several readings to fully digest. Moving from the USA to Austria to Cambodia and then to a world-wide view, the reader is faced with page after page of uncomfortable truths about an industry that is seemingly ubiquitous and that the vast majority of us are interacting with on numerous levels. The final short comic of the collection, ‘The Connecting Threads’, asks us to consider everything that Threadbare has already laid out, recapping statistics and offering its rallying cry: ditch the mall, advocate for a living wage in the garment industry and make a change. As difficult as this may be – fast fashion is a staple of many of our wardrobes and remains so because of its affordability and omnipresence – there is no doubt that Moore and her artistic collaborators are correct. The only way to make a difference is to take a stand. And, thanks to Threadbare, I will be doing just that.



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Comics Forum Opportunities

Comics Forum is seeking to appoint three or more individuals to the roles of Articles Editor(s), News Editor(s), and Reviews Editor(s) on the Comics Forum website ( Each of the roles is outlined below:

Articles Editor

The articles editor will:

  • Actively source articles for the Comics Forum website (by attending conferences, staying up to date with developments in comics scholarship, approaching possible contributors)
  • Edit guest articles (with a keen eye for textual organisation, argument, and structure)
  • Be engaged in ongoing communication with guest contributors
  • Format and publish articles on our website (WordPress), liaising with the other website & social media editors

News Editor

The Comics Forum News Review is a monthly roundup of articles relevant to comics scholarship from around the internet, sourced by an established body of international comics scholars from across the continents of Africa, Americas, Asia, Europe, Oceania (see for reference).

The responsibilities of a News Editor include the collating of news reports from a range of international correspondents (these arrive on the last day of a given month), editing these reports into a News Review post, and publishing it on the Comics Forum website on the 4th day of the following month. Secondary to this, the News Editor is responsible for the development of the News Review as and when possible, including sourcing and expanding its pre-existing body of correspondents that feed into the News Review.

Reviews Editor

The reviews editor will:

  • Actively source texts to review and reviewers for the Comics Forum website (by staying up to date with developments in comics scholarship, approaching possible contributors, developing and maintaining good relationships with publishers)
  • Edit reviews (with a keen eye for textual organisation, argument, and structure)
  • Be engaged in ongoing communication with reviewers
  • Format and publish articles on our website (WordPress), liaising with the other website & social media editors

All three roles require:

  • Excellent communication skills, both written and verbal
  • A strong knowledge of English
  • Meticulous proofreading
  • Academic writing skills
  • Deadline driven
  • Knowledge of comics scholarship (and willingness to stay up-to-date)
  • Reasonably tech-savvy (You’ll be working with Word, WordPress, and social media)
  • Strong organisational skills
  • Previous editorial experience is desirable but not essential

All roles are voluntary positions.

To apply for one of these roles, please email your CV (including publications if possible) and a cover letter to The deadline for applications is the 25th of September.

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