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Author Archives: Annick Pellegrin

The Bi-Monthly ComFor Update for October 2017

by Laura Oehme

 

After a short holiday break, the ComFor editorial team is back on track and it is my pleasure to fill you in on what happened since Lukas’ last update in July. Although, three months have passed, this update is rather brief as comics studies events were expectedly scarce over the summer. The new semester, however, promises to be packed with stimulating conferences, exhibitions, publications and festivals. As ComFor editorial team, we decided to kick off the season with a post that compiles all university classes in Germany that relate to comics in the upcoming winter semester 2017/18.

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Who is Charlie Chan Hock Chye?

Verisimilitude and (The Act of) Reading

by Yiru Lim

 

Figure 1

Figure 1

Source: The Art of Charlie Chan Hock Chye, p. 307. Copyright © 2015 by Sonny Liew. Published in Singapore by Epigram Books http://www.epigrambooks.sg

Singapore’s official version of history is primarily enshrined in the memoirs of Mr Lee Kuan Yew, Singapore’s first Prime Minister. Titled The Singapore Story: Memoirs of Lee Kuan Yew, the memoirs were originally published in two volumes in 1998 and 2000 and a memorial edition was released by Marshall Cavendish in 2015, the year of Mr Lee’s passing. Revisionist accounts that stand in opposition to this seminal publication attempt to fill what they see as a void in Singapore’s history: the voice of the opposition, especially in the narratives concerning nation building and independence. They exist in a myriad of forms and genres—film, scholarly publications, prose, poetry—and they seek to debunk existing narratives and proffer more balanced perspectives of history.

Some recent examples include academic publications like Comet in Our Sky (2015), that speaks of the alleged communist Lim Chin Siong and his role in securing Singapore’s independence; Tan Pin Pin’s documentary film To Singapore, With Love (2013); Jeremy Tiang’s State of Emergency: A Novel (2017); and Sonny Liew’s graphic novel The Art of Charlie Chan Hock Chye (2015). Tan’s film has been banned from being screened in Singapore while the latter two have had their grants revoked by the National Arts Council of Singapore (NAC) (Ho, 2017, Today Online 2015 & 2014). Although Liew’s graphic novel did not receive government approval, it has taken the literary world by storm. It became the first graphic novel to win the Singapore Literature Prize in 2016 and has garnered Liew six Eisner nominations and three Eisner Awards this year (Martin, 2017).

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The Bi-monthly ComFor update for July 2017

By Lukas R.A. Wilde

We are back with some more accounts of what was going on in German comic studies recently… After the following update, the ComFor editorial team will take some time off for a short holiday break. The weeks and months since Julia’s last update in May, however, have been nothing short of a rollercoaster. In some of our columns it has been challenging to not just recount the ‘German corner’ of Simon Turner’s international News Reviews (Martin de la Iglesia deserves all our credit for his excellent coverage of German events); this time, on the contrary, I have to remind myself not to let this get out of hand.

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Posted by on 2017/07/14 in ComFor Updates, News

 

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Workshop Report: “Formen der Selbstreflexivität im Medium Comic”

[Forms of Self-Reflexivity in Comics]

by Laura Schlichting and Markus Streb[1]

 

The workshop “Formen der Selbstreflexivität im Medium Comic” [Forms of Self-Reflexivity in Comics] organized by the German Society for Media Studies’ committee on Comics Studies, brought scholars from various disciplines together to discuss the relationship between comics and self-reflexivity as well as self-referentiality. The organisers, Nina Heindl (University of Cologne, Faculty of Art History) and Véronique Sina (Ruhr-University Bochum, Faculty of Media Science) carefully selected papers, each 15 minutes long, with regard to a five-part workshop structure comprised of aesthetic self-reflexivity; self-critical (fan) discourses; mechanisms of self-referentiality; factual and fictional (self) representations in comics; and meta-reflections on comics.

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CFP: Comics and their Popularity

The German Society for Comics Studies (ComFor) invites abstracts for their 12th annual research conference, to be held at Bonn University, Dec 1st-3rd, 2017. Deadline: April 30th.

Please click here for a PDF with more details.

 
 

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