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Author Archives: Annick Pellegrin

Australian Comics Symposium at PCAF (Perth Comic Arts Festival)

by Stuart Medley

 

PCAF A4 poster by Soolagna MajumdarArt by Soolagna Majumdar

 

The Australian Comics Symposium was a one-day conference held at Edith Cowan University in Perth, Australia, on Friday 29 June 2018, as part of the inaugural Perth Comic Arts Festival (29-30 June 2018).

 

This event was the first comics-focused festival in Western Australia. For many years Perth has been on the annual circuit of two major Australian pop culture events: Supanova and Oz Comic-Con. Both events have provided paid-for opportunities for local comics makers to show their portfolios and sell comics and comics-related art. However, both have a modus operandi similar to San Diego Comic-Con, in that they feature TV and film celebrity appearances and foreground the sale of pop culture merchandise. It was a stated aim of the PCAF organisers to have the focus on comics and to see what appetite there was in Perth for such an event. The inaugural PCAF was a big success with most of the visiting artists and scholars declaring it the best comics event they had been to in Australia. The market day attracted hundreds of visitors. Vendors all reported having done more business than at the big pop culture conventions. PCAF was covered by the national broadcaster (ABC) on its television news and reported in the state newspaper, The West Australian.

 

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A Culture of New Racism in Comics

By Whitney Hunt

 

New Racism Ideology In the USA

Whiteness is an enduring construct of privilege and power that systematically shapes and maintains racial inequality, resulting in a hierarchal system of oppression toward people of color (Feagin & Elias 2013). Systematic racism requires generations of people reproducing racist institutions and the white racial framings that support them (Feagin 2013). According to Feagin (2013), the white racial frame is a broad concept encompassing racist practices, imagery and discourse throughout US society shaped by and for the primary benefit of individuals considered white by society. In all eras of American history, manifestations of racism contain the ideological underpinning that justifies racial inequality. Moreover, the societal grip of white racial framing underscores the gross reality that America’s racist foundations are regularly unacknowledged (Feagin 2014; Bonilla-Silva 2017).

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Posted by on 2018/09/17 in Guest Writers, Women

 

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The Bi-Monthly ComFor Update for June 2018

by Laura Oehme

The summer term has started and the past two months since Julia’s update were rich in comics-related events in academia (and beyond) all over Germany. With regard to the ComFor itself, the biggest news is the new board of the society that was elected at the end of April. As part of the ComFor’s current online editorial team, I am particularly happy to see that Lukas R.A. Wilde – the longest-serving member and absolutely vital coordinator of the editorial team – has been chosen for the position of treasurer, but I am equally ecstatic about the reelection of Stephan Packard as president and the election of Véronique Sina as vice president of the society. For more information on all three board members, please see our introduction of the “ComFor’s New Managing Committee”.

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The Bi-Monthly ComFor Update for April 2018

By Julia Ingold

Finally, spring has arrived in most parts of Germany, and with it some exciting events. The summer term has just started and on our website we have again put together a list of most classes related to comics studies taught at German-speaking universities in various fields like history, literature or didactics. ComFor’s President Stephan Packard and the Comic Studies Working Group’s speaker Véronique Sina, for instance, are organizing a series of lectures at Cologne University under the title “Aktuelle Perspektiven der Comicforschung” (“Recent Perspectives in Comics Studies”). They compiled a broad program to shed some more light on the ever-expanding diversity of the field as an interdisciplinary practice. The speakers are from all different realms of the humanities (and even beyond), such as semiotics, media studies, linguistics, childhood studies, digital humanities, fan studies, sociology, narratology, political science, intersectionality studies, postcolonial studies and Japanese studies. The program intends to give students insights into the flourishing domain of comics studies and to teach them about methodology in media studies in general. For more information on this promising project visit our website.

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CfP: Spaces Between – Gender, Diversity and Identity in Comics (ComFor 2018, Cologne)

The conference topic Spaces Between – Gender, Diversity and Identity in Comics will draw our attention to the nexus between the medium of comics and categories of difference and identity such as gender, dis/ability, age, and ethnicity, in order to open and deepen an interdisciplinary conversation between comics studies and intersectional identity studies within the international comics studies community. In this respect, the 13th annual conference of the German Society for Comics Studies will not only contribute to the disclosure of exclusions, power structures and (hetero)normative allocations in comics, but will also critically analyse their socio‐political and communicative forms of (re)production.

Potential topics for contributions may include, but are not limited to, the following:

  • constructions of gender in comics

  • the interplay of gender and genre in comics
  • conceptions of identity and their (de)construction in comics
  • intersectionality and comics
  • the (re)production and constitution of difference and power structures in comics
  • manifestations of heteronormative structures and allocations in comics
  • mechanisms of hegemonic exclusion(s) in comics
  • queerness and comics
  • historic dimensions of identities in comics
  • diversity and normalisation processes in comics
  • race, class and ethnic stereotypes in comics
  • comics and postcolonial studies
  • body images in comics
  • representations of dis/ability in comics
  • the interrelation of comics, health and corporeality in the realm of graphic medicine
  • economies of difference: gender, identity and diversity on the (international) comics market
  • spaces between, centres and peripheries: transnationality and diversity in comics culture

See the PDF here for more information.

 
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Posted by on 2018/03/15 in Gender, General

 

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