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Author Archives: Annick Pellegrin

The Bi-monthly ComFor update for July 2017

By Lukas R.A. Wilde

We are back with some more accounts of what was going on in German comic studies recently… After the following update, the ComFor editorial team will take some time off for a short holiday break. The weeks and months since Julia’s last update in May, however, have been nothing short of a rollercoaster. In some of our columns it has been challenging to not just recount the ‘German corner’ of Simon Turner’s international News Reviews (Martin de la Iglesia deserves all our credit for his excellent coverage of German events); this time, on the contrary, I have to remind myself not to let this get out of hand.

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Posted by on 2017/07/14 in ComFor Updates, News

 

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Workshop Report: “Formen der Selbstreflexivität im Medium Comic”

[Forms of Self-Reflexivity in Comics]

by Laura Schlichting and Markus Streb[1]

 

The workshop “Formen der Selbstreflexivität im Medium Comic” [Forms of Self-Reflexivity in Comics] organized by the German Society for Media Studies’ committee on Comics Studies, brought scholars from various disciplines together to discuss the relationship between comics and self-reflexivity as well as self-referentiality. The organisers, Nina Heindl (University of Cologne, Faculty of Art History) and Véronique Sina (Ruhr-University Bochum, Faculty of Media Science) carefully selected papers, each 15 minutes long, with regard to a five-part workshop structure comprised of aesthetic self-reflexivity; self-critical (fan) discourses; mechanisms of self-referentiality; factual and fictional (self) representations in comics; and meta-reflections on comics.

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CFP: Comics and their Popularity

The German Society for Comics Studies (ComFor) invites abstracts for their 12th annual research conference, to be held at Bonn University, Dec 1st-3rd, 2017. Deadline: April 30th.

Please click here for a PDF with more details.

 
 

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Poetics of the Algorithm: A Report

By Leslie Goufo Zemmo, Giorgio Busi Rizzi and David Pinho Barros

 

algopoetics-poster-light

In June 2016, for three days, scholars from all over the world met at the Université de Liège for a ground-breaking bilingual conference on digital media. The starting points for the discussions were several challenging questions about the way storytelling is evolving with the adoption of new technologies on the part of  artists and writers. Poetics of the Algorithm was mainly concerned with the ways in which medial creations are changing, the impact these changes have on viewers and readers and how humanities scholars should deal with this paradigm shift. The ethical implications and the political consequences of the current state of digital creation were also fore preoccupations of the organisers Aarnoud Rommens, Benoît Crucifix and Björn-Olav Dozo when they set up this project.

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Report on the Superhero Identities Symposium (December 2016)

By Naja Later

Organised by the Australian Research Grant-supported Superheroes & Me research team, the Superheroes Identities Symposium ran at the Australian Centre for the Moving Image in Melbourne on 8-9 December 2016. The symposium hosted over 50 speakers whose research questioned what defines superheroes and how superheroes define us. With a wide range of panels, speakers, events and attendees, the symposium created a dynamic environment in which new frontiers of superhero research collided and collaborated with wonderful possibilities for the future.

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