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Author Archives: Comics Forum

The Bi-Monthly ComFor Update: February 2014 by Stephan Packard

Today’s short update begins a new column at Comics Forum: Every two months, one of the comics scholars in the German Society for Comics Studies, the Gesellschaft für Comicforschung or “ComFor”, will give a brief overview of recent activities and developments from the German comics studies scene as well as an outlook at upcoming events that might be of interest to an international audience. We’re grateful to Ian Hague for the opportunity and will try not to bore readers too much with local issues. These updates will probably draw mostly from the contents of our website, selected, refocused and translated into English.

2014 is ComFor’s ninth year. The society was founded on February 11th, 2005, in Koblenz; its goals continue to be the coordination and promotion of comics scholarship in German (about comics in any language). Since 2006, ComFor has organized yearly academic conferences at various universities and has published near-yearly volumes of the research presented there. Our popular panel at the Erlangen Comic-Salon, the largest German comics exhibition and convention, has become a recurrent institution as well. ComFor also supports the Bonn Online Bibliography on Comics Studies, and is driving plans towards a German Journal for Comics Studies. The main purpose and function of the society, however, remains the advancement of communication and collaboration among comics scholars, whose field is subject to a high degree of dispersion in German-speaking countries: At its best, it produces encounters between scholars from vastly differing disciplines that are brought together by their common interest in comics and continue to learn from one another. At its worst, it can lead to mutual isolation of parallel lines of research – this is what we’re trying to work against. In the last few years, the field of German-speaking comics studies has grown, and grown more densely connected; a process from which the society profits greatly, and that we hope we have supported in our own way.

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Posted by on 2014/02/25 in ComFor Updates

 

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The Comics Arts Conference and Public Humanities by Kathleen McClancy

Comics studies has come a long way in the past few years. Scholarship centered on sequential art is no longer considered beyond the pale of the academy; academic conferences and journals focusing on comics studies are multiplying; more and more books are being published that take a scholarly approach to the medium. The Comics Arts Conference, one of the first academic conferences dedicated to the study of sequential art, has been instrumental in encouraging this recognition within the academy. By providing a home for comics scholarship, the CAC not only created a forum where individuals scholars could connect to become a larger field, it also helped to grow the profile of comics studies on the academic stage. Today, being a self-described Batman scholar is no longer cause for derision. Or at least, not from fellow academics.

Unfortunately, the legitimacy comics studies has gained inside academia does not seem to be replicated outside it. An obvious recent case-in-point would be Alan Moore’s treatment of Will Brooker in what may or may not be his last interview. Not only does Moore not name the mysterious “Batman scholar” who has questioned the representations of race and gender in his comics, he dismisses those concerns as essentially the whining of an emotionally stunted idiot who can’t understand anything without a caption box. He goes on to imply that comics scholarship as a whole displays a lack of rigor at best and is a waste of time at worst. Of course, Moore’s public persona is famously a curmudgeonly old fart, and Moore could certainly be exaggerating for emphasis here, but I don’t want to dismiss his reaction as extraordinary; instead, it seems to me that Moore’s belittlement of the highly regarded Brooker is emblematic of a larger trend in the public at large to consider scholarship on sequential art dubious and even ridiculous.

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Posted by on 2014/02/22 in Guest Writers

 

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Maus in the Indonesian Classroom by Philip Smith

As regular readers of Comics Forum are aware, the site recently featured a Themed Month which sought to examine comics as cultural production. The issue looked first at the work of comic book authors (Woo 2013) and ended with an autobiographical account of one scholar’s experiment as a comic book retailer (Miller 2013). In the following article I hope to continue to chart the life of a comic book by examining one particular comic after sales as it is read not by academics, but by a much larger demographic of comic book consumers: teenagers, specifically, Indonesian teenagers.

There has been a debate concerning the role of comics in language acquisition and literacy which can be traced back to the 1950s when Frederic Wertham, among others, argued that comics cause retardation of reading ability (Wertham, 1954). Many modern scholars argue that comics serve as a gateway to literacy (see, for example, the Canadian Council for Learning website, 2013).[1] This article will document my experience and observations as a teacher who uses Art Spiegelman’s Maus in the Indonesian classroom with advanced English-learners. I will describe how I prepared the students to read Maus, the concepts and history which I taught alongside the text, and what the students themselves brought to, and drew from the work.

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Posted by on 2014/02/18 in educators, Guest Writers

 

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Tintin at 85: A Conference Review by Paddy Johnston

Tintin at 85 was a one-day symposium at UCL, scheduled for the 85th anniversary of Tintin’s first appearance in Le Petit Vingtième. Organisers Tyler Shores and Tom Ue had been working on a forthcoming academic book on Tintin for a year before the conference, pursuing a personal interest in Tintin, before being inspired to put together a conference after meeting with Moulinsart, the Hergé foundation. This meeting inspired Tyler and Tom to organise a conference which would interest scholars from various disciplines, fans of the Tintin series and the growing number of Tintinologists. In its bringing together of these communities, the symposium was the first of its kind in Anglophone scholarship. With the broad aim of examining and celebrating Tintin’s cultural legacy, the conference attracted a number of international scholars and, most notably, Tintinologist Michael Farr. Farr has written numerous books on Tintin, many of which are in-depth studies of the characters, and he has translated works from Francophone scholarship into English, including those of comics scholar Benoît Peeters.

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Comics Forum Articles Among Hooded Utilitarian’s Best of 2013

For the second year running, articles published by Comics Forum are among the Best Online Comics Criticism as selected by The Hooded Utilitarian. The selected articles from 2013 are:

Between Supermen: Homosociality, Misogyny, and Triangular Desire in the Earliest Superman Stories by Eric Berlatsky

Narrative breakdown in The Long and Unlearned Life of Roland Gethers by Hannah Miodrag

‘Chercher dans le Noir’ – the gap as motif in Caboto by Lorenzo Mattotti and Jorge Zentner and The dissolution of the pictorial content in Hugo Pratt’s ‘Corto Maltese’ and Lorenzo Mattotti’s ‘Fires’ by Barbara Uhlig

Literary Impressionism and Chris Ware’s Jimmy Corrigan: The Smartest Kid on Earth (2000) by Paul Williams

Congratulations to our authors, and thanks to The Hooded Utilitarian for the mentions! Click here to see the full HU list of the Best Online Comics Criticism of 2013.

IH

 
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Posted by on 2014/02/10 in Uncategorized