RSS

Category Archives: ComFor Updates

The Bi-Monthly ComFor Update for March 2019

By Natalie Veith

In March, German universities are on term break, but it is rapidly coming to a close, so we are all busy getting ready for the summer semester that starts in April, preparing for our research and teaching duties, compiling reading lists and shuffling around seminar schedules. But that is not the only thing keeping us busy these days. In the field of comics studies as well as in the general German-language comics scene, this month in particular has been eventful.

Read the rest of this entry »

 

The Bi-Monthly ComFor Update for January 2019

by Julia Ingold

The first month of the new year always starts smoothly with a prolonged holiday period. German universities resume their daily activities only in the second week of January and so does ComFor’s editorial staff—as usual with our established retrospect about several ComFor members’ favorite comics of 2018. Shortly after Stephan Packard’s substantial bi-monthly update two months ago, ComFor’s editorial team posted a retrospect on the panel “Comics 4.0” that the Committee for Comics Studies contributed to the German Society for Media Studies’ (GfM) annual conference that took place in Siegen under the headline “Industry” in September 2018. ComFor Member Lukas R. A. Wilde gave a talk on “Von Remediation zum Intermedium: Formen, Formate und mediale Rahmungen digitaler Comics” (From Remediation to Indermedia: Forms, Formats and Medial Framings of Digital Comics). Tim Glaser shared his views on “Comics, Communities & Crowdfunding: Plattformen und deren Einfluss auf die Rezeption und Distribution von Webcomics” (Comics, Communities, and Crowdfunding: Platforms and their Influence on Reception and Distribution of Webcomics). Peter Vignold, for his part, presented on “From A(yn) to Z(ack): Objektivismus im zeitgenössischen Comicfilm” (From A(yn) to Z(ack): Objectivism in the Contemporary Film Adaptation of Comics). The first two presentations both took their cues from the concept of the infinite canvas that Scott McCloud introduced in his 2000 book Reinventing Comics. The panel expounded the question to what extent webcomics’ many new possibilities might collide with the fact that they still only receive widespread attention once they are transferred into traditional print media and thus lose aspects of their inherent mediality.

Read the rest of this entry »

 
 

The Bi-Monthly ComFor Update for November 2018

by Stephan Packard

After the traditional summer break, the winter semester has begun at German, Swiss and Austrian universities. A few weeks in, at least 15 courses and lecture series in those regions have begun work related to comics studies: the ComFor website’s staff has edited a useful and fascinating list. In addition to all of these courses, the Comic-Kolloquium in Berlin has started up again as well, boasting no less than ten announced talks from guests and regulars throughout the season. Topics range from Art Spiegelman to Preacher, from Eastern German history to 19th century sequential art, and from literary criticism to quantitative and network analysis. Back in June, the Comic-Kolloquium had contributed a dense series of talks packed with presentations that opened up comics studies for a popular audience at the Comic Invasion Berlin. The Kolloquium is organized by Matthias Harbeck, Linda-Rabea Heyden and Marie Schröer.

Read the rest of this entry »

 
 

The Bi-Monthly ComFor Update for June 2018

by Laura Oehme

The summer term has started and the past two months since Julia’s update were rich in comics-related events in academia (and beyond) all over Germany. With regard to the ComFor itself, the biggest news is the new board of the society that was elected at the end of April. As part of the ComFor’s current online editorial team, I am particularly happy to see that Lukas R.A. Wilde – the longest-serving member and absolutely vital coordinator of the editorial team – has been chosen for the position of treasurer, but I am equally ecstatic about the reelection of Stephan Packard as president and the election of Véronique Sina as vice president of the society. For more information on all three board members, please see our introduction of the “ComFor’s New Managing Committee”.

Read the rest of this entry »

 

The Bi-Monthly ComFor Update for April 2018

By Julia Ingold

Finally, spring has arrived in most parts of Germany, and with it some exciting events. The summer term has just started and on our website we have again put together a list of most classes related to comics studies taught at German-speaking universities in various fields like history, literature or didactics. ComFor’s President Stephan Packard and the Comic Studies Working Group’s speaker Véronique Sina, for instance, are organizing a series of lectures at Cologne University under the title “Aktuelle Perspektiven der Comicforschung” (“Recent Perspectives in Comics Studies”). They compiled a broad program to shed some more light on the ever-expanding diversity of the field as an interdisciplinary practice. The speakers are from all different realms of the humanities (and even beyond), such as semiotics, media studies, linguistics, childhood studies, digital humanities, fan studies, sociology, narratology, political science, intersectionality studies, postcolonial studies and Japanese studies. The program intends to give students insights into the flourishing domain of comics studies and to teach them about methodology in media studies in general. For more information on this promising project visit our website.

Read the rest of this entry »

 
 
 
%d bloggers like this: