RSS

Author Archives: Annick Pellegrin

Medieval Comics: Depicting the Middle Ages in European Graphic Novels

by Iain A. MacInnes

Medieval history is very much in vogue at the present time. Driven by representations of the period in various forms of popular culture, there appears to be a great appetite for all things medieval. From television (Vikings, The Name of the Rose, Knightfall) to film (The Green Knight, The King, Outlaw King) to video games (A Plague Tale: Innocence, Kingdom Come: Deliverance, Medieval Dynasty), representations of the medieval world are hard to avoid.[1] And that is before we get to the more medieval-influenced forms of media that perhaps drive interest in the medieval even more than apparently “real” representations of the past. Where Game of Thrones led the way, The Witcher is now appealing to a mass global audience.[2] The forthcoming Lord of the Rings television series, films like Nimona and games like Godfall will similarly bring different varieties of medieval aesthetics to modern audiences across the globe.[3]

Another medium, perhaps more niche than the above, is that of the graphic novel. Comics set in both the medieval past and medieval-inspired worlds have gained increasing popularity in recent years, and it can be argued that these are as important as the above examples in terms of influencing modern perceptions and understanding of our medieval past. One potential reason why this is not as well-recognised is that many medieval comics are not available in English. While there do exist prominent examples of English-language medieval comics by noted authors and special releases timed to coincide with historical anniversaries (such as Crécy, Templar, Nevsky: A Hero of the People, On Dangerous Ground: Bannockburn 1314 and Agincourt 1415: A Graphic Novel), this output pales into relative insignificance when compared with that produced in continental Europe.[4] The remainder of this post will therefore consider the range of medieval comics produced for the European market, with a focus on Spain and particularly France. While some broader context for these works is provided, the main focus will be on comics of the last decade to allow consideration of increased interest in the medieval period as reflected in the comic medium.

Read the rest of this entry »

 
Leave a comment

Posted by on 2020/04/15 in Guest Writers

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

CFP: First Conference of the ICLA Research Committee on Literatures/Arts/Media (CLAM)

Transcodification: Literatures – Arts – Media

Department of Humanities – Excellence Program 2018-2022
July 1-3, 2020 – University of L’Aquila

Call for Papers

 

+++ Deadline extended until February 23, 2020 +++

 
Leave a comment

Posted by on 2020/02/16 in General

 

Tags:

Program: Fluid Images — Fluid Text: Comics’ Mobility Across Time, Space and Artistic Media

The conference Fluid Images — Fluid Text: Comics’ Mobility Across Time, Space and Artistic Media (23 – 24 January 2020) is announced on the website of Cardiff University as follows:

This two-day interdisciplinary conference will explore the mobility of comics and graphic novels along three axes: time, space, and media. It is sponsored by the Institution of Modern Languages Research (IMLR), University Council of Modern Languages (UCML) and Cardiff University’s School of Modern Languages.

The conference program is now available for download here. Please note that registration closes on Thursday 9 January 2020.

 
Leave a comment

Posted by on 2020/01/08 in General

 

Tags:

The Trimonthly ComFor Update for January 2020

by Robin-M. Aust

There is an old, often used Lovecraftian saying: “That is not dead which can eternal lie, and with strange aeons even death may die”. Well, the ComFor Update is certainly neither dead nor has the ComFor been caught up in eternal slumber. Instead, the past few months have been busy and eventful, both for the Gesellschaft für Comicforschung as well as for German comics scholarship in general: the fall semester has started at German universities and the summer break has been filled to the brim with conferences and workshops, proceedings are to be written and read, research groups have been founded, announcements are to be made. That’s why a little bit more time than usual has passed since Lukas’s last update and why we decided to switch things up a bit: instead of a bi-monthly rhythm, we will adopt a trimonthly schedule from now on—which also gives us the opportunity to present you with an even more information-packed column.

Read the rest of this entry »

 
Leave a comment

Posted by on 2020/01/04 in ComFor Updates

 

Tags:

The Bi-Monthly ComFor Update for May 2019

By Lukas R. A. Wilde

It is my pleasure to fill you in on what happened since Natalie’s last update in March on comics scholarship in the German-speaking corners of the world. The summer term started around the middle of April in German universities and, as usual, ComFor’s editorial staff compiled a list of comics related classes and lectures from disciplines as varied as Literature (English, German and French), Media Studies, History, Art Teaching and even Geography. Spring break or not, our motivated team (that Laura Oehme and I have had the honor to hand over some months back) has in general been very busy, as you can see from our new website section dedicated to international comic scholarship journals. Take a look at their second installment introducing new issues and articles of the International Journal of Comic Art, Studies in Comics, the Journal of Graphic Novels and Comics, ImageTexT and The Comics Grid in a clear arrangement. As usual, you can also find short introductions of new monographs and edited collections on comics within the regular Monitor section. Most of these books are released by international publishing houses and in English, so send a short note to redaktion@comicgesellschaft.de if you know of a publication that should be included in future installments. One notable German-language publication has been released during the last months: Überzeichnete Spektakel: Inszenierungen von Gewalt im Comic [Exaggerated Spectacle: The Staging of Violence in Comics] by ComFor member Jörn Ahrens. The author investigates the many forms, strategies and functions of ‘graphic violence’ from a formal, media-specific perspective, with case studies ranging from classics as Sin City or the works of Joe Sacco, to more contemporary series such as 100 Bullets or DMZ. The monograph’s release was accompanied by a roundtable discussion event on May 14 at the University of Gießen (with Frank Thomas Brinkmann, Ole Frahm and Kirsten von Hagen) on the relationship between comic aesthetics and violence.

Read the rest of this entry »

 
1 Comment

Posted by on 2019/05/27 in ComFor Updates

 

Tags: