In the young twenty-first century, several Spanish comics about memory and the Civil War have garnered well-deserved critical acclaim. However, they have been explored very little in academia. This conversation brings together two scholars working on memory and Spanish comics to discuss the current comics scene in Spain, the Civil War and its aftermath, the representation of the war in recent graphic novels and comics, and possible pedagogical opportunities for using some of these publications in the classroom. Enrique is currently researching and teaching in Australia, and Sarah is a professor of Spanish in the USA. For both of them, this conversation introduces some of their most recent research projects.
ENRIQUE: I think the first thing I would like to point out is how vibrant the Spanish comics scene is today. Comics are now more widely appreciated among many audiences. The rise of the graphic novel at a global level has played an important role and has already produced notable examples in the Spanish context, such as Arrugas (Wrinkles, Knockabout)  and some of the ones we will be talking about in this round table. Comics have also increased their visibility in media (newspapers, television), online (through websites and webcomics) and there has been some institutional support by the Spanish Ministry of Culture (since 2007, a National Comics Prize is awarded annually to the best Spanish comic of the year, under the same program as other national prizes such as Literature, History, etc.), public libraries (which have considerably extended their comics catalogue in recent years) and universities (which organize more and more conferences and seminars).