by Nicoletta Mandolini, Alessia Mangiavillano, Giorgio Busi Rizzi and Eva Van de Wiele
Lecture by Prof. Ivan Pintor Iranzo
Prof. Ivan Pintor Iranzo’s lecture defined comics as a way of approaching images, juxtaposing and arranging them. At the same time, they express concepts and material forms. He then attempted to disentangle the complex, multiform nature of the medium.
by Nicoletta Mandolini, Alessia Mangiavillano, Giorgio Busi Rizzi and Eva Van de Wiele
From Monday 12 July to Thursday 15 July, the third edition of the AIPI (Associazione Internazionale Professori di Italiano) Summer School took place in Ghent. For the first time, the Summer School was dedicated to the study of comics. The edition was sponsored by AIPI; the Italian Cultural Institute of Brussels; the Dante Alighieri Society of Ghent; and the research groups COMICS and SnIF.
AIPI Summer School 2021 Ricerca a fumetti (Researching comics: genres, form(s), variations) 1/2
by Nicoletta Mandolini, Alessia Mangiavillano, Giorgio Busi Rizzi and Eva Van de Wiele
From Monday 12 July to Thursday 15 July, the third edition of the AIPI (Associazione Internazionale Professori di Italiano) Summer School took place in Ghent. For the first time, the Summer School was dedicated to the study of comics. The edition was sponsored by AIPI; the Italian Cultural Institute of Brussels; the Dante Alighieri Society of Ghent; and the research groups COMICS and SnIF.
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Posted by Annick Pellegrin on 2021/09/15 in Conference reports
Tags: A Contract with God, adaptation, Alberto Giolotti, Alexander Calder, authorship, autofiction, Belgium, City of Glass, collages, comics, David Mazzucchelli, discontinuity, Enki Bilal, film, Finnegans Wake, fumetti, Gene Roddenberry, Gianni Colombo, graphic journalism, Graphic Novels, Henry Jenkins, imagination, Italy, James Joyce, Kafka, Kobane Calling, La Guerre des tranchées, Le Château, Le Voyage, Lev Manovich, literature, Lovecraft, Marvel, mass media, merchandising, metafiction, Mickey Mouse, Mobile sur deux plans, Olivier Deprez, Paul Auster, Paul Karasik, Pierre Fresnault-Deruelle, political engagement, radio, Reinhard Kleist, representation of realities, Robert Crumb, Roland Barthes, SnIF, social commentary, stagnation, Star Trek, Strutturazione fluida, subjectivity, Summer Schools, television, Tezuka Osamu, transmediality, transtextual narratives, Trilogie Nikopol, Umberto Eco, Will Eisner, Zerocalcare