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CFP: Translation, Localisation, Imitation, and Adaptation: Comparative Aspects in Comics Studies

The 14th Annual Conference of the Society for Comics Studies (ComFor) is dedicated to the idea of comparative comics studies: relations and transformations within the art form that cross and bridge cultural, lingual, economic, juridical, political, and media divisions. These include referential and derivative formats such as citation, parody, pastiche, travesty, imitation, and emulation of genres, characters, and motifs, in which one comic recalls another comic, or any other medium. In all of these cases, a relation is established that connects one or more comics to others. But the scope of comparative comics studies also includes translations, transfers, adaptations, and many other kinds of metamorphosis. These take place not merely from one language to another, but also take into account changes in audience orientation, in technical and economic conditions, in legal and conventional rules, and any other co-determining circumstance that leaves its traces: on the new comic’s text, sometimes on its pictures as well, and always on the mechanisms of production, marketing, media practices, and interpretations to which comics are subjected.

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Posted by on 2019/04/15 in General

 

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A Culture of New Racism in Comics

By Whitney Hunt

 

New Racism Ideology In the USA

Whiteness is an enduring construct of privilege and power that systematically shapes and maintains racial inequality, resulting in a hierarchal system of oppression toward people of color (Feagin & Elias 2013). Systematic racism requires generations of people reproducing racist institutions and the white racial framings that support them (Feagin 2013). According to Feagin (2013), the white racial frame is a broad concept encompassing racist practices, imagery and discourse throughout US society shaped by and for the primary benefit of individuals considered white by society. In all eras of American history, manifestations of racism contain the ideological underpinning that justifies racial inequality. Moreover, the societal grip of white racial framing underscores the gross reality that America’s racist foundations are regularly unacknowledged (Feagin 2014; Bonilla-Silva 2017).

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Posted by on 2018/09/17 in Guest Writers, Women

 

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