by Nicoletta Mandolini, Alessia Mangiavillano, Giorgio Busi Rizzi and Eva Van de Wiele
From Monday 12 July to Thursday 15 July, the third edition of the AIPI (Associazione Internazionale Professori di Italiano) Summer School took place in Ghent. For the first time, the Summer School was dedicated to the study of comics. The edition was sponsored by AIPI; the Italian Cultural Institute of Brussels; the Dante Alighieri Society of Ghent; and the research groups COMICS and SnIF.
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Tags: A Contract with God, adaptation, Alberto Giolotti, Alexander Calder, authorship, autofiction, Belgium, City of Glass, collages, comics, David Mazzucchelli, discontinuity, Enki Bilal, film, Finnegans Wake, fumetti, Gene Roddenberry, Gianni Colombo, graphic journalism, Graphic Novels, Henry Jenkins, imagination, Italy, James Joyce, Kafka, Kobane Calling, La Guerre des tranchées, Le Château, Le Voyage, Lev Manovich, literature, Lovecraft, Marvel, mass media, merchandising, metafiction, Mickey Mouse, Mobile sur deux plans, Olivier Deprez, Paul Auster, Paul Karasik, Pierre Fresnault-Deruelle, political engagement, radio, Reinhard Kleist, representation of realities, Robert Crumb, Roland Barthes, SnIF, social commentary, stagnation, Star Trek, Strutturazione fluida, subjectivity, Summer Schools, television, Tezuka Osamu, transmediality, transtextual narratives, Trilogie Nikopol, Umberto Eco, Will Eisner, Zerocalcare
by Andrea De Falco
‘Fluid Images – Fluid Text’ was the title of an interdisciplinary conference that took place at Cardiff University (Wales) on 23-24 January 2020. The conference, organised by Dr Tilmann Altenberg (School of Modern Languages) and Dr Lisa El Refaie (School of English, Communication and Philosophy), hosted eighteen speakers from twelve institutions spread across seven different countries, featuring a wide range of backgrounds and approaches. The conference received financial support from Institute of Modern Languages Research (London), University Council of Modern Languages, Cardiff Comics Storytelling Network, Cardiff School of Modern Languages and Cardiff School of English, Communication and Philosophy.
The aim was to investigate from a transdisciplinary perspective three different and interlinked dimensions underpinning comics’ mobility: time, space and artistic media. The chronological dimension covers a broad field including the relationships between comics and history and the transformations investing their editorial and reading practices. Translation is the key word to understand how comics have been able to transcend national borders, by means of transmission in different languages and cultures. The last dimension leads us to comics’ adaptation in other media, investigating their relationships with different forms of artistic expression.
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Tags: A Borrowed Life, A Distant Soil, adaptation, Aka B, Alessandro Tota, Alison Bechdel, Ana Penyas, art, Asterix, autobiography, Ángel de la Calle, Bea Enriquez, biography, Caterina Sansone, classroom, Colleen Doran, dictatorship, digital comics, Disney, Edgar Clement, family, film, Fumettibrutti, Fun Home, Gender, Graphic Novels, Greece, heritage, History, humour, identity, Il tempo materiale, intermediality, intertextuality, Italy, Je est un autre, Kobane Calling, Luigi Ricca, Martin Lemelman, memory, Mendel’s Daughter, Mexico, nationalism, Núria Tamarit, Non-fiction Comics, Operación Bolívar, P. La mia adolescenza trans, Palacinche, Paperinik, Phoebe Gloeckner, Photography, Pinturas de guerra, place, Politics, Race/ethnicity, social conflict, Spain, Storia di una madre, Taiwan, The Adventures of Tintin, The Diary of a Teenage Girl, The Story of a Mother, theatre, time, Tintin, Translations, transmediality, Transphobia, transsexual abuse, UK, Wales, Women, Zerocalcare
Comics Forum 
AIPI Summer School 2021 Ricerca a fumetti (Researching comics: genres, form(s), variations) 1/2
by Nicoletta Mandolini, Alessia Mangiavillano, Giorgio Busi Rizzi and Eva Van de Wiele
From Monday 12 July to Thursday 15 July, the third edition of the AIPI (Associazione Internazionale Professori di Italiano) Summer School took place in Ghent. For the first time, the Summer School was dedicated to the study of comics. The edition was sponsored by AIPI; the Italian Cultural Institute of Brussels; the Dante Alighieri Society of Ghent; and the research groups COMICS and SnIF.
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Posted by Annick Pellegrin on 2021/09/15 in Conference reports
Tags: A Contract with God, adaptation, Alberto Giolotti, Alexander Calder, authorship, autofiction, Belgium, City of Glass, collages, comics, David Mazzucchelli, discontinuity, Enki Bilal, film, Finnegans Wake, fumetti, Gene Roddenberry, Gianni Colombo, graphic journalism, Graphic Novels, Henry Jenkins, imagination, Italy, James Joyce, Kafka, Kobane Calling, La Guerre des tranchées, Le Château, Le Voyage, Lev Manovich, literature, Lovecraft, Marvel, mass media, merchandising, metafiction, Mickey Mouse, Mobile sur deux plans, Olivier Deprez, Paul Auster, Paul Karasik, Pierre Fresnault-Deruelle, political engagement, radio, Reinhard Kleist, representation of realities, Robert Crumb, Roland Barthes, SnIF, social commentary, stagnation, Star Trek, Strutturazione fluida, subjectivity, Summer Schools, television, Tezuka Osamu, transmediality, transtextual narratives, Trilogie Nikopol, Umberto Eco, Will Eisner, Zerocalcare