Tag Archives: Greece

Conference Report: Fluid Images — Fluid Text: Comics’ Mobility Across Time, Space and Artistic Media (Cardiff University, Wales)

by Andrea De Falco


‘Fluid Images – Fluid Text’ was the title of an interdisciplinary conference that took place at Cardiff University (Wales) on 23-24 January 2020. The conference, organised by Dr Tilmann Altenberg (School of Modern Languages) and Dr Lisa El Refaie (School of English, Communication and Philosophy), hosted eighteen speakers from twelve institutions spread across seven different countries, featuring a wide range of backgrounds and approaches. The conference received financial support from Institute of Modern Languages Research (London), University Council of Modern Languages, Cardiff Comics Storytelling Network, Cardiff School of Modern Languages and Cardiff School of English, Communication and Philosophy.

The aim was to investigate from a transdisciplinary perspective three different and interlinked dimensions underpinning comics’ mobility: time, space and artistic media. The chronological dimension covers a broad field including the relationships between comics and history and the transformations investing their editorial and reading practices. Translation is the key word to understand how comics have been able to transcend national borders, by means of transmission in different languages and cultures. The last dimension leads us to comics’ adaptation in other media, investigating their relationships with different forms of artistic expression.

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Comics Studies in Greece by Lida Tsene

The relationship between comics and Greece is a rather interesting one. Having a tradition in political cartooning and with influences from Europe and the US, during the 80s we observe the first steps of the creation of a small local scene that seems to be growing each year. Nevertheless, the road to this growth wasn’t easy at all

Comics reached the Greek audience pretty late and that’s one reason why many Greeks have a specific, and often incomplete, understanding of them. In fact, the first comic series that reached the Greek market were mostly superheroes and Disney stories and that led to the perception that comics are just for kids, naive and funny stories. The frequent publication by religious and educational groups of critical reviews and statements about the bad influences comics presented also contributed to this idea.

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Posted by on 2012/05/08 in Guest Writers


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